“Zürich, Gemüsebrücke”, 1900s. Nr.031

From $ 65.00

Title: “Zürich, Gemüsebrücke, n. Fleischhalle zu.”
Year: 1900-1910
Country: Switzerland
Photographer: Johannes Meiner
Origin: Stereoscopic glass slide / Baugeschichtliches Archiv der Stadt Zürich

Size Paper & Print: 30 × 30 cm | 23 × 23 cm
Printing technique: Piezography® Pro
Paper: Awagami Bamboo
Bamboo & recycled Kozo, 250 gr/m2. acid-free.

Swiss handmade frame: 30 × 30 cm
Material: Wood Natural oak | profile 13/28
Distance: 5 mm, nature
Glass: Anti-reflective museum art glass

First edition of 200, Zürich

Numbered and delivered in a vinyl style packaging with a window protected by a clear cover made of recycled polymers.


Title: “Zürich, Gemüse­brücke, n. Fleis­chhalle zu.”
Year: 1900 – 1910
Coun­try: Switzerland
Pho­tog­ra­ph­er: Johannes Meiner
Ori­gin: Stereo­scop­ic glass slide / Baugeschichtlich­es Archiv der Stadt Zürich

Size Paper & Print: 30 × 30 cm | 23 × 23 cm 
Print­ing tech­nique: Piezog­ra­phy® Pro 
Paper: Awaga­mi Bamboo
Bam­boo & recy­cled Kozo, 250 gr/m2. acid-free.

Swiss hand­made frame: 30 × 30 cm
Mate­r­i­al: Wood Nat­ur­al oak | pro­file 13/28
Dis­tance: 5 mm, nature
Glass: Anti-reflec­tive muse­um art glass

First edi­tion of 200, Zürich

Num­bered and deliv­ered in a vinyl style pack­ag­ing with a win­dow pro­tect­ed by a clear cov­er made of recy­cled polymers.

Johannes Mein­er (1867−1941) ran a flour­ish­ing pho­to­graph­ic stu­dio in a promi­nent loca­tion in Zurich’s Metropol House. The spec­trum of his pho­to­graph­ic work cov­ered all gen­res such as por­traits, archi­tec­ture, land­scapes and adver­tis­ing. One of his spe­cial­i­ties was stere­oscopy, i.e. pho­tographs that have a three-dimen­sion­al effect when viewed through a spe­cial observ­er. These stereo­scop­ic images have a square for­mat and are ide­al for Black­print­’s Karo Edi­tion. Zurich sub­jects from the peri­od 1900 to 1910 have been select­ed to show us an urban idyll. At the same time, they are his­tor­i­cal image sources (for the old Ton­halle, for exam­ple) and wit­ness­es to a high lev­el of pho­to­graph­ic art from the Belle Epoque.

Ylva Mey­er, Baugeschichtlich­es Archiv der Stadt Zürich

Weight 150 g
Dimensions 30 × 30 × 0.3 cm
Framed or unframed

Wood KR white + anti reflective white glass, Unframed



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