blackprint specializes in museum-grade black and white printing using the Piezography® Pro carbon-based pigment process. All prints are produced using an exclusive monochrome inkjet system designed specifically for fine art photography.
We work with a wide range of exceptional coated and uncoated papers and offer a signature laminated safety glass process for selected works.
Carbon-based pigment ink
blackprint uses a dedicated black and white inkjet system based exclusively on carbon-based pigments. Piezography® Pro opens new possibilities for monochrome printing by eliminating color inks entirely.
No color dyes are used to create grey values. Instead, tonal variation is achieved through two distinct sets of carbon inks — warm and cool blacks. This system enables an exceptionally wide and precise modulation of tones, with deep, rich blacks (high dMax) achieved through Ultra HD matte black ink.
The process allows for millions of tonal combinations, enabling both neutral and split-toned prints with absolute control. A newly developed gloss optimizer encapsulates each pigment particle, eliminating gloss differential between the paper surface and the printed image.
Come visit us and see the quality yourself.
Papers from Around the World
Extensive testing and experimentation have led to a carefully curated selection of world-class papers. Blackprint prints on materials ranging from the world’s lightest Japanese tissue (1.6 g/m²) to 500 g/m² handmade art papers.
The collection includes Japanese Awagami washi, historical Arches BFK Rives Velin papers, premium archival cotton rag papers, and select baryta surfaces. We also work with established fine art inkjet papers such as Canson Infinity, Hahnemühle, and Moab.
At blackprint, we believe that the history and character of a paper contribute fundamentally to the identity of an artwork. We continuously source rare and exceptional papers produced by master craftsmen, including works by Japanese “Living National Treasures” (国宝 – Kokuhō).
Each paper is individually tested and custom-calibrated in our studio to ensure that its fiber structure complements the photographic grain and tonal range. Artists are also welcome to bring their own papers for evaluation and printing.
For detailed technical specifications on file preparation, including DPI and gamma profiles, please refer to our FAQ.
Discover some examples of our papers on our instagram account or in our blackprint edition store.
The Laminated Glass Object
Blackprint offers a signature laminated safety glass process in which the Piezography® Pro print and glass are thermally bonded to form a single, monolithic object.
We use HY-TECH-GLASS — non-reflective, extra-white and extra-clear — ensuring absolute visual clarity without distortion or distracting reflections. Unlike traditional face-mounting on Plexiglas, where the print is simply glued, our process creates a true glass sandwich.
The print is placed between two sheets of glass (minimum 2 mm each) with a specialized interlayer, then vacuum-sealed in a dedicated oven for a minimum of ten hours. During this process, the interlayer becomes transparent, bonds the materials, increases structural integrity, and blocks UV radiation.
The final object is finished with diamond-polished edges and can be wall-mounted or presented freestanding, offering a minimalist and sculptural presence.
Discover an overview of our blackprint editions made with this glass lamination technique.