Airplane II | Ed. of 15

From CHF 480.00

Title: “airplane II” , Antoinette aircraft of Hubert Latham.
Year: around 1909
Country: France
Photographer: Anonymous
Origin: Photographic plate 9 × 12 cm / The blackprint collection

Size Paper & Print: 50 × 65 cm | 38.5 × 51 cm
Printing technique: Piezography® Pro
Paper: Arches Velin BFK Rives 250 gr/m2 Natural. 100% Cotton. pH-neutral.

Red dot design award frame: 55 × 70 cm
Material: Wood Hoak nature | profile 13/29
Distance: 10 mm, white
Glass: Anti-reflective museum art glass

Edition of 15, Zürich

Provided with a Verisart blockchain Certificate of Authenticity.

Nice, April 1910. Hubert Latham’s Antoinette VII monoplane passes low over the airfield at the International Aviation Meeting. The fastest aircraft at the meeting, and the most difficult to handle, the Antoinette VII was powered by a 50 hp V-8 engine. This image is a direct record of that moment.

The full history of this plate in About the artwork.

About the artwork

Born in Paris in 1883 into a wealthy family, Hubert Latham (1883–1912) studied at Oxford, spoke fluent English and German, and had already tried hunting, ballooning, and speedboat racing before turning to aviation in 1908. He joined Léon Levavasseur’s Antoinette company, became its chief pilot, and quickly established himself as an international celebrity — as much for his style and composure as for his flying. At Nice in April 1910, flying aircraft No. 2, he was the fastest pilot at the meeting, winning the Prix de l’Altitude at 656 metres and both over-water races, taking home nearly 60,000 francs.

The Antoinette VII he flew was among the most advanced — and most demanding — aircraft of its time. Where the Farman biplanes were stable and forgiving, the Antoinette was fast, narrow, and difficult to handle, powered by a 50 hp Antoinette V-8 engine. Its monoplane configuration and sleek fuselage gave it a speed advantage no Farman could match — when the engine ran. Mechanical failures limited Latham throughout the meeting, and his results reflected as much the fragility of the machine as the skill of the pilot.

When the Antoinette company folded at the end of 1911, Latham turned to big-game hunting in Africa. On 25 June 1912, he died in what is now southern Chad. The official account described a hunting accident with a wounded buffalo, but the circumstances were never fully established and the possibility that he was killed by his own porters was never ruled out.

Limited to 15 numbered copies, the Piezography® Pro print is produced on Arches Velin BFK Rives Natural, a 100% cotton paper made by cylinder mould — a process that deposits fibres multidirectionally, giving the sheet its characteristic dimensional stability and its particular surface.

The paper unites two papermaking traditions: the Moulin d’Arches, founded in the Vosges in 1492, and the Rives mills in Isère, active since 1573, whose merger gave rise to the BFK name in 1820. It carries the ∞ watermark certifying its archival permanence: pH-neutral, acid-free, with an alkaline reserve. Its natural off-white tone and fine texture hold the full tonal range of the Piezography® Pro carbon pigment system.

The plate
Historical research on this plate is ongoing. Findings will be updated as they emerge.

Additional information
Weight 500 g
Dimensions 61 × 3 × 81 cm
Select framed or unframed:

Distance Magnetic Frame, Unframed

Manufacturer

Brand

Shipping information

Switzerland
Free shipping for all blackprint editions.
Orders are typically shipped within 2 to 3 days when the edition is in stock.

Worldwide
Free delivery for unframed artworks.
Shipping periods may vary depending on the destination country.

Please note that this limited edition will be shipped from Zürich, Switzerland, and may be subject to any relevant duties and taxes imposed by the destination country.

Our returns policy is applicable for 14 days after order is received.
For more information, refer to our ‘Sales Conditions‘.

Secure Payment information

We accept credit card (VISA, Mastercard) and payment with Paypal, Apple Pay, Google Pay and Twint (+”Pay later” option, purchase now and pay in 30 days).

Payment with Postfinance is also available, along with the ‘click&collect’ option for picking up your edition at the blackprint studio in Zurich.

Additionally, we accept cryptocurrency payments using Crypto.com Pay, Nowpayments or other Ethereum/ERC-20 compatible wallets.

Feel free to contact us for any questions at edition(at)blackprint(dot)photo

You may also like…