We develop your single prints, series and limited editions.

We print with two exclusive monochromatic black and white inkjet systems with pigmented carbon inks. The Piezography® in Selenium and the new Piezography® Pro, which offers new possibilities. No color is added to create your grey and black shades. We use exclusively 7 to 10 grey- and black pigment inks. The result is a very width and detailed modulation of your grey shades.

The system allows us to create one million possible combinations of different tones and to blend or split-tone the warm and cool inks. It Includes the darkest matte black ink and a newly invented gloss optimizer, that surounds each carbon/pigment particle. There is no gloss differential between the white of the paper and the image. Come visit us and see the quality yourself.

paper

We have tested and experimented a lot for you. Today we print on all kinds of paper. From handmade litho of 400 gr/m2, Awagami Factory washi, Arches Velin BFK Rives, classic cotton rag and fine-art baryt paper to superfine handmade paper of 20 gr/m2 from the Himalaya.

A wide range of paper, uncoated and coated, acid-free and/or pH-neutral, is available in our studio. You can also bring the paper of you choice to our lab.

Piezography in laminated glass

We offer a new and exclusiv process; the Piezography® print in laminated safety glass. We do use HY-TECH-GLASS non-reflective, extra-white glass and extra-clear glass which show the paper and print in a very accurate visual manner without a distortion nor a reflection.

In contrast to the plexiglass version where the print is glued, the print is put into a glass sandwich, which is made of two plies of glass (minimum 2mm each) with a interlayer between. The sandwich then goes in vacuum into a special oven during minimum 5 hours.

During this process the heated interlayer turns transparent and links the paper to the glass, turning them into one piece. The interlayer also increases the power of resistance and firmness of the glass and blocks the UV-light transmission. 

At last the corners of the glass get polished and the photograph object can be suspended or positioned on the floor with special mount.

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